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Yehudi Menuhin |
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"To Sofia
Gandarias.
Peace flows like a river and brings passion and serenity
into balance.
When a long-suffering soul brimming with compassion is
joined with a temperament which bellows out its
rejection of the intolerable, when the creative impulse
is combined with the power and precision of a great
artist, we have both genius and masterpiece, and dare I
say it, a being filled with grace and mystery."
Yehudi Menuhin
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Augusto Roa Bastos |
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"Perhaps one of
the foremost merits of this visionary explorer of
shadows who is Sofia Gandarias, is the clairvoyant and
almost sleepwalking gaze with which she views her once
living subjects so as to fix them in her paintings from
"within" and listen to each one speak through their
apparently or definitively dumb figures. In this way,
her portraits are not merely celebrations of her chosen
subjects. They are in fact a recognition of what those
individuals offer in terms of their humanity. But they
are above all an act of self-knowledge through these
figures hammered out, just as in life, with little blows
of solitude and encounter."
Augusto Roa Bastos
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Carlos Fuentes |
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"Sofía Gandarias
belongs to the great Spanish portrait tradition of
Velazquez in which the painting becomes a token of
identity, a proof of existence and an ironic exercise
between nameless celebrity and visible invisibility."
"In the style of Spanish portrait painting which derives
from Velazquez, Sofía Gandarias presents us with the
face of the latest suffering, the most recent violence,
bathed in the glow of a Spanish night. She is the master
of the shortest century"
Carlos Fuentes
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José Saramago |
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"Rather
than simply painting the portraits of so-called public
figures, what Sofia Gandarias does is to invoke, one by
one, the inhabitants of her memory and culture, those
who she herself calls "the presences", transferring them
onto a canvas where they have the privilege of becoming
more than portraits, because they are transformed into
the signs, marks, scars, lights and shadows of her
internal world"
José Saramago
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Simone Veil |
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"Through
her paintings, and through the connections which she
creates between them and events, Sofia Gandarias reminds
us that, despite the dramatic nature of present-day
reality, one must never despair of humanity."
Simone Veil
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Kosme de Barañano |
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"Sofia Gandarias constructs her mural (Guernica) on the
basis of a number of images which are diffuse, but which
strive to be more real, more essentially human, than the
fully drawn ones of the real world. In so doing
Gandarias, like Bacon , casts mankind into an abyss that
has no perspective definition, but in which the anguish
of its presence is maintained. She is not interested in
capturing a fleeting portrait, but rather in the pathos
of its existence. Her formal reflection, like that of
Bacon, Giacometti, or Music, is a visual reflection on
the defigured figure, not only changed into an
expressive shadow, framed in her paintings as one would
frame a death-notice, or standing on their pedestals but
completely tranformed into an erosion, fleeing from
themselves."
Kosme de Barañano
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